Currently no production is available. Here are names and brief descriptions of projects:
Swinnik amplifier (line level inputs, 3 channels, 200W RMS x 2 / 4 Ohm + 400W RMS / 2 Ohm x 1), class A+C+C approximation of linear transfer function with no zero volt crossover distortions.
Complementary woofers and subwoofer (Stationary design, heavy composite material)
Pyramid amplifier (Line level inputs, 2 channels, 50W RMS each / 4, 8, or 16 Ohm) class A, vacuum tube amplifier with solid state voltage and current regulatirs.
Complementary line array speakers.
Pyramid-V amplifier (Line level inputs, 2 channels, 80W RMS each / 4, 8, or 16 Ohm) class AB, vacuum tube amplifier with solid state voltage and current regulatirs and proprietary optical anti-clipping compressor.
Complementary line array speakers, foldable.
Bardvox amplifier (Powered mixer with 2 microphone inputs, 1 guitar input, 1 stereo AUX input, 2 channels 50W RMS each / 4, 8, or 16 Ohm) Vacuum tube design, with solid state voltage and current regulatirs.
Complementary line array speakers, foldable.
Piranha amplifier (Powered mixer, 4 universal inputs, 2 output channels 75W RMS each / 16 Ohm, 12V battery powered). Hybrid amplifier, with SMPS.
Complementary line array speakers, foldable.
Tower amplifier (line level inputs, 2 channels 300W RMS / 4 Ohm each) Pure class A amplifier with vacuum tube preamp and driver, FET and BJT output.
Alligator amplifier (line level inputs, 2 channels 40W RMS each / 4, 8, or 16 Ohm) Hybrid amplifier, with vacuum triode and FET output (push-pull design with SE triode sound)
Festival powered speakers, no data may be disclosed yet.
Waybeyond bass guitar combo, no data may be disclosed yet.
W microphone (32 mm condenser capsule, electronically equalized)
W4 microphone Bi-gradient stereo microphone array
Related links:
My secrets of audio reproduction
Transformers in audio
Triode load with servo